Keanu Reeves tends to switch it up between blockbuster extravaganzas and lower-key indie fare (with mixed results on both ends). In recent years, he followed “Constantine” with “A Scanner Darkly,” “The Day The Earth Stood Still” with “The Private Lives of Pippa Lee” and before kicking ass in “47 Ronin” he got two smaller flicks under his belt, the comedy “Henry’s Crime” (released earlier this year) and “Generation Um…”
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